Today I uploaded a new page to my website, my 'Biography'. As it says on the page, I wanted it to be more than just a 300 character assessment of my sound and influences, but rather a story of how I got to where I am today. I'll be revisiting it over time to keep it sort of up to date and maybe add more detail, though I want it to be a bio, not an autobiography!
And just as it was uploaded and I finished testing it, I got a message from The Shrewsbury Arms offering me a gig. For those who don't know, this is the pub I used to practice in with my first even remotely serious band 'Too Shrewd', so to go back will be a great experience for me. I'm sure it's changed a lot since then, but it will still be nice. There is a bit more about Too Shrewd in the aforementioned 'Bio' page of my website.
Now that I think about it, my first experience of guerrilla recording was Too Shrewd's demo made in the back room at that pub! I've still got the CD knocking around somewhere. Legend has it that a copy of that recording was submitted into a jukebox in a random pub/bar in Hamburg after the rhythm guitarist left the band to go and work over there. So if you ever hear a version of 'A Little Respect', 'Wishing Well' or 'She Sells Sanctuary' that's not (quite) like the original while on your holidays in Germany, listen out for the bass part and then let me know!
Showing posts with label Website. Show all posts
Showing posts with label Website. Show all posts
Monday, 2 June 2014
Thursday, 8 May 2014
Promoters Vs. Musicians
I don't rant on this blog very often, but I just witnessed something that made me feel the need to. This blog is intended not only to document what I'm doing with my music but also to give my views on different parts of the industry, good and bad, which will in turn hopefully advise others and create debates to which we can all contribute and from which we can all learn.
I just left a Facebook group for UK wide promoters as an argument broke out about paying acts. Old chestnuts such as 'getting paid for your hobby' and 'I don't mind paying if people come' were banded around.
I get that some people do this as a hobby. I play in a function band that works essentially on that premise (though The Replicas are something of a hybrid between a hobby and a professional outfit due to the differing influences within the band). I also have no problem with that whatsoever. In many professions professionals can get twitchy about people offering services that they would charge for for free, or at least for a vastly reduced rate (photographers, for example) but my view is that, with music being as subjective as it is, it doesn't matter. It doesn't matter to me that a million people are playing guitar and singing for free because they don't play what I play, how I play it. If my music is good enough that my fans will feel it worth paying to watch, hear or own, then I'm not effected by people doing it for the love of it. In fact I salute them. It's great to find something that you really love doing.
The 'I don't mind paying you if X amount of people come' line infuriates me both as a musician and as a promoter. Not only is it deliberately vague, so even if 1000 people came they could still argue that they never promised you anything, but also it's just plain lazy on a promoter's part. In my experience there are two types of well attended gigs. Firstly, there are the gigs where the band or bands on the bill have a known following in that area and are the main attraction to draw people in. In this case the bands should be letting their own fans know about the show and the promoter should be advertising in the local area to pick up the people who didn't get that message. If both do their job it should work. Secondly, there are the venues and promoters that are known for certain types of gigs and their quality and so have an attraction almost regardless of who is playing. Here bands will still be contacting their own fans and promoters will be be promoting in the local area to bring in people who might like the type of show being put on. If both of these happen it should work.
My point with all of that is that if a promoter backs themselves to put on a night that they think is going to work, they shouldn't be relying on a door split to 'maybe' pay the band. If they have booked the right line up to attract the clientèle they are looking for and promoted the event well enough, they should be confident enough to pay a band a discussed amount that they are worth. If the promoter has done the majority of the promotion work, they should be the ones rewarded if 1000 people do turn up. If it's just the band, their friends and family, then frankly I don't think a promoter should get paid at all.
Going back to the original argument, the worst part of it was that there were musicians sticking up for the promoter's stance that that mythical beast 'exposure' was more important than getting paid. I agree that in some instances exposure has been enough to make me take a gig. These have been when I have been offered the chance to support a well known or established act that I have felt would put me in front of a new audience of people who may enjoy my music. In these few cases I have been vindicated in my decision, as they have often led to a bumper night of CD sales and further bookings as support for acts or in new venues which can pay. However, that was a situation where I took a calculated risk financially that ended up paying off. It's not worth doing if you just being promised that the other acts are bringing people who won't have seen you before and the manager of the club might come and watch you for 30 seconds in between bar shifts.
The Facebook group argument then had an incredible claim made on it that the reason for there 'being so many shit bands out there' was down to people putting on free gigs and bands being given publicity that they didn't deserve. I hardly feel that this warrants any response, but I will just say that, as I stated above, music is entirely subjective and what one person likes another may hate. If anything this claim should be directed at lazy promoters who will book anyone just to fill a space on a line up and don't try and marry the acts on a line up to create an enticing event. The idea that the gigging circuit should be more selective in order to weed out less audibly acceptable bands is incredibly dangerous to any local music scene. There is an obvious catch 22 staring me in the face from that remark that I fear must have been lost on the original poster.
To conclude (and before I turn into a grumpy old man!) I'd like to state that I don't think that all promoters are lazy. Some work especially hard and they are the ones that get the reward for it. These are the promoters that people want to come and play for, the ones that create a reputation for themselves of supplying quality music, usually of a specific style, and can often generate their own following. I saw a post on Twitter the other day that said 'Think you don't have a favourite record label? Check out your CD collection and you might be surprised'. This is the sort of thing that happens with good promoters too. The kind of promoters I enjoy working with. The kind of promoter I strive to be.
I just left a Facebook group for UK wide promoters as an argument broke out about paying acts. Old chestnuts such as 'getting paid for your hobby' and 'I don't mind paying if people come' were banded around.
I get that some people do this as a hobby. I play in a function band that works essentially on that premise (though The Replicas are something of a hybrid between a hobby and a professional outfit due to the differing influences within the band). I also have no problem with that whatsoever. In many professions professionals can get twitchy about people offering services that they would charge for for free, or at least for a vastly reduced rate (photographers, for example) but my view is that, with music being as subjective as it is, it doesn't matter. It doesn't matter to me that a million people are playing guitar and singing for free because they don't play what I play, how I play it. If my music is good enough that my fans will feel it worth paying to watch, hear or own, then I'm not effected by people doing it for the love of it. In fact I salute them. It's great to find something that you really love doing.
The 'I don't mind paying you if X amount of people come' line infuriates me both as a musician and as a promoter. Not only is it deliberately vague, so even if 1000 people came they could still argue that they never promised you anything, but also it's just plain lazy on a promoter's part. In my experience there are two types of well attended gigs. Firstly, there are the gigs where the band or bands on the bill have a known following in that area and are the main attraction to draw people in. In this case the bands should be letting their own fans know about the show and the promoter should be advertising in the local area to pick up the people who didn't get that message. If both do their job it should work. Secondly, there are the venues and promoters that are known for certain types of gigs and their quality and so have an attraction almost regardless of who is playing. Here bands will still be contacting their own fans and promoters will be be promoting in the local area to bring in people who might like the type of show being put on. If both of these happen it should work.
My point with all of that is that if a promoter backs themselves to put on a night that they think is going to work, they shouldn't be relying on a door split to 'maybe' pay the band. If they have booked the right line up to attract the clientèle they are looking for and promoted the event well enough, they should be confident enough to pay a band a discussed amount that they are worth. If the promoter has done the majority of the promotion work, they should be the ones rewarded if 1000 people do turn up. If it's just the band, their friends and family, then frankly I don't think a promoter should get paid at all.
Going back to the original argument, the worst part of it was that there were musicians sticking up for the promoter's stance that that mythical beast 'exposure' was more important than getting paid. I agree that in some instances exposure has been enough to make me take a gig. These have been when I have been offered the chance to support a well known or established act that I have felt would put me in front of a new audience of people who may enjoy my music. In these few cases I have been vindicated in my decision, as they have often led to a bumper night of CD sales and further bookings as support for acts or in new venues which can pay. However, that was a situation where I took a calculated risk financially that ended up paying off. It's not worth doing if you just being promised that the other acts are bringing people who won't have seen you before and the manager of the club might come and watch you for 30 seconds in between bar shifts.
The Facebook group argument then had an incredible claim made on it that the reason for there 'being so many shit bands out there' was down to people putting on free gigs and bands being given publicity that they didn't deserve. I hardly feel that this warrants any response, but I will just say that, as I stated above, music is entirely subjective and what one person likes another may hate. If anything this claim should be directed at lazy promoters who will book anyone just to fill a space on a line up and don't try and marry the acts on a line up to create an enticing event. The idea that the gigging circuit should be more selective in order to weed out less audibly acceptable bands is incredibly dangerous to any local music scene. There is an obvious catch 22 staring me in the face from that remark that I fear must have been lost on the original poster.
To conclude (and before I turn into a grumpy old man!) I'd like to state that I don't think that all promoters are lazy. Some work especially hard and they are the ones that get the reward for it. These are the promoters that people want to come and play for, the ones that create a reputation for themselves of supplying quality music, usually of a specific style, and can often generate their own following. I saw a post on Twitter the other day that said 'Think you don't have a favourite record label? Check out your CD collection and you might be surprised'. This is the sort of thing that happens with good promoters too. The kind of promoters I enjoy working with. The kind of promoter I strive to be.
Saturday, 30 November 2013
Blast Off!
My new website launches today! You can check it out at www.samdraisey.com! Make sure you let me know what you think of it :)
I'll be using it as the centre of my musical universe online, so you will be able to hear all my music, watch my videos, buy merch, find out about gigs, read blogs etc etc etc. The list goes on!
Also, from midday today I'll be playing a live streamed gig on it's homepage to celebrate it's launch. all you have to do is visit the site at twelve and the little screen at the top will have me playing in it. I've never done one before, so hopefully it will all run smoothly.
Not long now, better go and write my set list!
I'll be using it as the centre of my musical universe online, so you will be able to hear all my music, watch my videos, buy merch, find out about gigs, read blogs etc etc etc. The list goes on!
Also, from midday today I'll be playing a live streamed gig on it's homepage to celebrate it's launch. all you have to do is visit the site at twelve and the little screen at the top will have me playing in it. I've never done one before, so hopefully it will all run smoothly.
Not long now, better go and write my set list!
Monday, 28 October 2013
New Website!
It's been nearly two months since I posted a blog, so I thought it was about time that I got back to it! The places and times I would normally be writing a blog just haven't materialised lately, not that that is a good excuse. But anyway, here I am and here it is :)
I've been planning a 'new' website for a while now. I say new, I don't currently have a website dedicated to my own music, and so calling it new doesn't really feel right as it has nothing to replace. But it has involved elements of 'new', like coming up with a new logo for my music and myself. I wanted something that represented my status as a 'DIY, independent musician' and after a couple of different ideas were tried out, I settled on a simple text logo of my name looking like it was printed by an old fashioned DYMO label printer. I've gone for a cardboard background for the website too, to try and make it look even more 'home-made'
You can check out the beginnings of the website at www.samdraisey.com, though at the moment it's just a 'coming soon' page. I'll be launching the official website on Saturday the 30th of November, so make sure you check it out and let me know what you think :) I'll be doing loads of stuff in the build up to the day too hopefully, so keep your eyes peeled for that :)
In other news, I've had some good and not so good moments in music over the past two months. The 'Replicas September' was great fun and didn't feel like hard work at all, but then it never really does! I had a very poor turnout at The Robin 2 for The Sam Draisey Session this month (thanks to Matt Dooner for being the other person there!) and so will have to book acts again for next month's session if it's to carry on. I don't mind, it just leaves less space for people who just turn up on the night wanting to play (if you do want to play, best to get in touch with me and just let me know you are coming. Novembers's session is on the 26th). I also had another nightmare before last weeks open mic at Sunny Bank, and I can't apologise enough to anyone who made the journey out there to watch or play.
On a more positive note, I had another good outing at Molinuex Stadium busking for the Wolves fans and really good gigs at The Old Stag's Head in Penn and The Marches in Ludlow, as well as a good send off to this year's 'Festival of Local Music' at The Fox & Anchor in Coven. Here's to hoping I'm back booking there next year :)
Thanks for reading. I'll be posting more once the website is up and running, so make sure you check it out on the 30th of next month. Should be just in time for me to have a stupid moustache for Movember (donate to the great cause here)
I've been planning a 'new' website for a while now. I say new, I don't currently have a website dedicated to my own music, and so calling it new doesn't really feel right as it has nothing to replace. But it has involved elements of 'new', like coming up with a new logo for my music and myself. I wanted something that represented my status as a 'DIY, independent musician' and after a couple of different ideas were tried out, I settled on a simple text logo of my name looking like it was printed by an old fashioned DYMO label printer. I've gone for a cardboard background for the website too, to try and make it look even more 'home-made'
You can check out the beginnings of the website at www.samdraisey.com, though at the moment it's just a 'coming soon' page. I'll be launching the official website on Saturday the 30th of November, so make sure you check it out and let me know what you think :) I'll be doing loads of stuff in the build up to the day too hopefully, so keep your eyes peeled for that :)
In other news, I've had some good and not so good moments in music over the past two months. The 'Replicas September' was great fun and didn't feel like hard work at all, but then it never really does! I had a very poor turnout at The Robin 2 for The Sam Draisey Session this month (thanks to Matt Dooner for being the other person there!) and so will have to book acts again for next month's session if it's to carry on. I don't mind, it just leaves less space for people who just turn up on the night wanting to play (if you do want to play, best to get in touch with me and just let me know you are coming. Novembers's session is on the 26th). I also had another nightmare before last weeks open mic at Sunny Bank, and I can't apologise enough to anyone who made the journey out there to watch or play.
On a more positive note, I had another good outing at Molinuex Stadium busking for the Wolves fans and really good gigs at The Old Stag's Head in Penn and The Marches in Ludlow, as well as a good send off to this year's 'Festival of Local Music' at The Fox & Anchor in Coven. Here's to hoping I'm back booking there next year :)
Thanks for reading. I'll be posting more once the website is up and running, so make sure you check it out on the 30th of next month. Should be just in time for me to have a stupid moustache for Movember (donate to the great cause here)
Monday, 15 April 2013
NEW WEBSITE!
How many times can I start a blog with 'I'm sorry it's been so long' or something of that ilk?
But yeah, it's been a while and I'm sorry for that. I have been kind of busy with other projects, but it's still no excuse. The 'other projects' do however give me something to talk about in this blog post!
First off, I've taken up Instagram. You can see all the photos I've shared here - http://instagram.com/instasamdraisey
I've also started a new website purely for wedding bookings. I went the whole 'professional' route for this (sort of!). I've had a photo-shoot done, the results of which are on the site, but I'll share one of the photos with you here so you get an idea :)
I've done some new recordings for it too! A CD of 11 of my most popular covers. I call it 'Musician For Hire', not really an album title, as it's not an 'official' release, but at least it has a name! I've included the Soundcloud playlist for it below. Feel free to check out the recordings and let me know what you think.
I've also recently done some new videos for it, adding a couple of songs that didn't quite make it onto the CD. Filming this was great fun, as I had to erect a backdrop and add lighting and sound and all sorts! Good job I have random old staging and spotlights lying around! The videos are also on the website on the 'Listen & Watch' page. Let me know what you think.
Oh, and that all important web address is www.midlandsweddingmusician.co.uk. I know, check me out with my search engine optimisation!
New website aside, I've also been planning and searching for new music nights to run. After I lost both The Albion and The Hartley Arms at the end of last year, it was a necessary process. A few months on, and I've started a new monthly open mic at The Pied Piper in Cannock, re-signed up to host The Fox & Anchor gigs this summer that I ran all through last summer, and started negotiations with a few other places to put music nights and open mic nights on there.
On top of that, I played in Worcester on Friday at a gig that also featured my good friend Brains For Breakfast on his first UK tour. It sounds like he is have a great time, and has inspired me to attempt something similar at some point. Keep your eyes peeled for that, and any suggestions on where to play would be greatly appreciated.
Anyway, until next time (and hopefully I won't leave it so long!) have a look at the site and it's new content and tell me what you think, and keep enjoying the music
Speak soon,
Sam.
But yeah, it's been a while and I'm sorry for that. I have been kind of busy with other projects, but it's still no excuse. The 'other projects' do however give me something to talk about in this blog post!
First off, I've taken up Instagram. You can see all the photos I've shared here - http://instagram.com/instasamdraisey
I've also started a new website purely for wedding bookings. I went the whole 'professional' route for this (sort of!). I've had a photo-shoot done, the results of which are on the site, but I'll share one of the photos with you here so you get an idea :)I've done some new recordings for it too! A CD of 11 of my most popular covers. I call it 'Musician For Hire', not really an album title, as it's not an 'official' release, but at least it has a name! I've included the Soundcloud playlist for it below. Feel free to check out the recordings and let me know what you think.
I've also recently done some new videos for it, adding a couple of songs that didn't quite make it onto the CD. Filming this was great fun, as I had to erect a backdrop and add lighting and sound and all sorts! Good job I have random old staging and spotlights lying around! The videos are also on the website on the 'Listen & Watch' page. Let me know what you think.
Oh, and that all important web address is www.midlandsweddingmusician.co.uk. I know, check me out with my search engine optimisation!
New website aside, I've also been planning and searching for new music nights to run. After I lost both The Albion and The Hartley Arms at the end of last year, it was a necessary process. A few months on, and I've started a new monthly open mic at The Pied Piper in Cannock, re-signed up to host The Fox & Anchor gigs this summer that I ran all through last summer, and started negotiations with a few other places to put music nights and open mic nights on there.
On top of that, I played in Worcester on Friday at a gig that also featured my good friend Brains For Breakfast on his first UK tour. It sounds like he is have a great time, and has inspired me to attempt something similar at some point. Keep your eyes peeled for that, and any suggestions on where to play would be greatly appreciated.
Anyway, until next time (and hopefully I won't leave it so long!) have a look at the site and it's new content and tell me what you think, and keep enjoying the music
Speak soon,
Sam.
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