New full band show at The Robin 2

Delighted to be heading back to The Robin 2 in Bilston for a full band show. Excellent support acts on too in Dominic Malin, Jess Silk and Raphaella Kornarskis!

It could well be my only full band show this year, and we are hoping to play some new material, so make sure you don't miss it!

Tomorrow!

I can't believe the full band gig at The Robin 2 is tomorrow! It's going to be ace, don't miss out!

Another new live video!

I'm trying to make an effort to record and upload more 'content' (Christ I hate that word). I doubt anyone would want to see a video of me just talking about my day and pretending a million exciting things are happening right now with my music, so it's taking the form of more live videos from cool gigs I'm playing this summer. Here's another from Banstock, a festival quite literally a stones throw from my house (if my aim was better).

Hope you like it :)

(Disclaimer: It's not that I'm not doing anything with music, quite the opposite, I just get a bit jaded by supposed 'music industry experts' constantly pushing that you need to be doing Facebook Live videos every time you cook your tea or pack up your car for a gig. I'm busy with gigs, with merchandise making for myself and other people and general musical work. I post about it on various social media platforms on a semi regular basis. I'm just not going to video everything I do for the internet.)

New Live Video

Check out the new live video of 'Used to be my Hero' live from Lechlade festival  (25/5/18). It's a cool festival and you should check it out :)

Halfway through this song Buddy ran up to the stage and stole my drink! I'm being forever upstaged by him nowadays!

Another cool fact; because the headliner for the stage I was playing on never showed up, I technically headlined my first ever music festival stage on Friday night. It's a technicality, but it's still cool!

An interview with The Burning Blogger of Bedlam.

A few weeks ago I sat down for a chat (via email) with The Burning Blogger of Bedlam to talk about protest music's place in society, and my place in the world. Read the interview below.

BBB: Speaking from experience, it can be a massive uphill struggle to try to make a go of being a real musician, songwriter or performer. You can often be spending more money than you’re ever going to make and sometimes without much reward. What has your own experience been like…?

Sam: I think it’s a constant uphill struggle, and it’s important sometimes to look back and see how far you’ve come in order to not lose focus. It’s hard, it will continue to be hard if not harder, but I’m proud of how far I’ve come and I’ll continue to work hard for as long as I can.

I’m a very frugal guy, so spending money on my music always jars me a little. I have to weigh up every purchase and decide if I think it’s going to be worthwhile and if I’m going to make that money back. Whether it’s buying new instruments or PA equipment, or investing in getting merchandise manufactured, I always over-think it!

 

BBB: Is the underground or DIY music scene still thriving in the UK, in your opinion? And is there still a sense of community in it or is it more fragmented…?

Sam: Locally there is a real sense of community. Some of my best friends I’ve met on the local music scene, and you always seem to end up on a bill with at least one person you know. Further around the UK it’s a little more fragmented and can be a bit more cut-throat, but there are still loads of really good people out there willing to gig swap and help out when you’re booking a tour.

 

BBB: Who are your big influences as a songwriter…?

Sam: Like many songwriters, I have a large influence base. I would say that the main ones are Cat Stevens, Paul Simon, Billy Bragg and early Frank Turner. I’m also a massive Johnny Cash fan, so that tends to sneak into my music sometimes too.

 

BBB: Do you think of yourself as a protest singer…?

Sam: I do! I really believe that music has an important role to play in social change. Historically musical movements have ‘changed the world’, and while I’m not naïve enough to think that my music will do the same, I think to deny the importance of protest in music is to deny how important it has been in the past to things like social, racial and gender equality movements.

 

BBB: How much would you say your politics or political perspectives influences songwriting…?

Sam: My personal politics influence my songwriting (and my life) in a big way. I like to think I write music that is at it’s most simple an honest portrayal of who I am and what I stand for, so keeping my politics out of it would be disingenuous, as it’s such a big part of who I am.

 

BBB: Something I’ve written about here recently is the seeming absence of ‘protest music’ in the modern age. Is that something you’ve noticed too? If so, why do you think protest music or political music has gone out of fashion…?

Sam: I hear this a lot, and while it’s true that it’s pretty much gone from the mainstream, there is still a wealth of ‘protest singers’ out there for people who care to look. I think there is probably a direct link between the decline of the spotlight for protest music and the viewpoint of music being more and more of a business. As musicians are pushed to appeal to a wider and wider audience (and their music becomes more bland as a result) they are more likely to ‘play it safe’ with songs than express opinions that might turn some fans away.

There are many musicians who have been accused of ‘selling out’ like this, and though it’s their decision, I feel there may be a lot of pressure coming at them from labels to appeal to as wide a demographic as possible in order to sell as much as possible, rather than making the music that maybe feels more true to them.

 

BBB: Would you think of yourself as a folk singer…? I ask this, because I’ve noticed that folk singers seem to drift very naturally into protest music in a way that other types of performers don’t. I’ve always wondered why that is. Do you have any thought on that…?

Sam: Historically I think that might be true, though there is an argument that blues and more recently rap music can often contain a very political message (again if you look past the slim pickings the mainstream spotlight is cast on). A lot of the famous folk singers that influence today’s artists were big players in things like the civil rights movement and advocates for workers and human rights and used to sing a lot of songs about such things, so it’s there’s definitely a tradition there for folk artists a bit more than some other styles.

One of my favourite quotes is by Louis Armstrong where he says ‘All music is folk music. I aint never heard no horse sing a song’ and I think he might have something there, though in the more stylistic sense I do think of myself of a folk musician. My music can be quite varied, but folk is probably where it finds a more comfortable home most often.

 

BBB: My own experience of bands and musicians is that there are generally two types of attitude or motivation: those who want to ‘make it’ in the industry and those who just have the passion and don’t care if they make it or not. My own psychology was always a bit schizophrenic and ping-ponged back and forth between both those attitudes. What about you…? Are you already ‘living the dream’ or is the ‘dream’ still on the horizon…?

Sam: I have no interest in celebrity, the whole idea of it is just crazy to me. I’ve always said that my biggest aim would be able to do what I love to do for a living, and right now I’m doing ok with that. I went full time with music last summer and so far it’s working out alright. There is a certain level of ‘notoriety’ that you have to reach in order to sustain a career (people need to know about your music in order to listen to it, buy merch and come to gigs),but I think it’s a long way away from needing to be a famous megastar.

 

BBB: What’s the story behind the song ‘The Day I Was Meant to Die’…?

Sam: It’s a song about reflecting on life based on your own mortality, and maybe about regrets. I’ve lost a few people prematurely over the last couple of years and that definitely influenced me with this song.

 

BBB: What draws you to a particular song when it comes to performing covers? I noticed you do a version of ‘English Civil War’ by The Clash…

Sam: I learned that for a Strummerjam gig for the Joe Strummer Foundation. We all had to pick a Strummer song to cover, and I chose that one as I felt it was a really appropriate song for what society can be like at the moment.

I have loads of reasons why I might learn a new cover. It could be a request for a gig, or because I’m doing a cover gig and I feel like my set is missing a certain kind of song. Then I might learn something because it’s a project and learning it might force me to work on a certain technique or improve as a musician. Finally (as is the case with most of the more political covers I do), I might just learn it because I like it!

 

BBB: What’s the story behind the current album..? Is there an underlying theme..? And what’s the reaction to the album been like…?

Sam: I really feel like it’s a personal album. While there isn’t a certain theme per se, I do feel like it documents a certain point in my life and what I felt about a lot of different topics at that point in time. The reaction has been really positive, both from fans and the press.

I’ve had some really nice reviews in local and online press, and people who have spoken to me have been really gracious about what they think of it. It’s been really nice to get praise on the production of the record too, because I recorded, mixed and mastered it myself, and I think it’s my best work technically, as well as my best songs to date.

 

BBB: Do you have a favorite location or venue you’ve played at? Or, for that matter, a favorite gig you’ve played…? For me, it was my old band playing the 100 Club in London. What’s yours and why…?

Sam: One of my favourite local venues is The Robin 2 in Bilston, just because it’s a great place and really supports live music. Outside of that I love playing at Codfest, which is the music festival I have helped to put on for that past 8 years.

One of my all-time favourite gigs was at Paul Murphy’s house for his songwriter’s café a few years back. Paul was a well known and loved Birmingham musician who put gigs on in his garden through the summer in this fantastic wooden structure he built. There were two or three other acts on, we went down there, had dinner with him and his family then played to an invited audience in a tiny seated auditorium he had made, and the whole thing was live streamed around the world on his website.

It was truly one of the most amazing experiences of my musical life.

Check the whole thing out at https://theburningbloggerofbedlam.wordpress.com/2018/03/05/a-chat-with-protest-singer-folk-musician-sam-draisey/

Another new live video :)

Here it is, another new live video from Codfest last year. Check it out :)



Don't forget to get your tickets for the full band gig at The Robin 2 on the 22nd of February. It's going to be awesome!

Brand new live video.

Check out the live video of 'The Day That I Was Meant to Die' from Codfest 7. If you want to see the band in action, get your tickets for our upcoming show at The Robin 2 with The Arrangements, Alex Vann and Dominic Malin here.

2017 in review

So here it is, another year over, another end of year blog. But it has been a pretty good one, if I'm being totally honest.

I played 94 solo gigs this year. That's an average of 1.8 per week, which is a little off the pace for me compared to previous years *checks old blog posts*. There are a couple of possible reasons I can think of for this;

Firstly, For the first 9 months of this year I was working a school job. I know I've been working other jobs before while gigging more, but I can't say it doesn't have an impact on both having time to actually find and book gigs as well as being awake enough to play them!

Secondly, all of my recurring gigs have now stopped. I was running the songwriter's sessions at The Crown Joules for the first half of the year, but they decided to take their live music output in a 'different' direction. The gigs there were great while they lasted, but sadly, last they did not. I've also finished playing at Village Coffee in Codsall after many years. I'm not aware that they have any live music on there regularly now.

However, a lower gig output is somewhat outweighed by the fact that I finally finished and released my newest album, 'As I Live and Breathe' in 2017. It was a long time coming, and I'm incredibly proud of the way it came out. People seem to like it too! Massive thanks must be given to Dickie Davis, Dan Hart and my wife Kayla who all appeared on the album.

Stemming from the album launching, I've played my first ever gigs with a full and this year too, and they were great fun. I've got another one at The Robin 2 coming up in February, for which tickets are available here. It's going to be a great show, so come down and get involved :)

On to my highlights of 2017. Other than the obvious launching of the album, I also did a mini tour at the beginning on November which was a success. One of my favourite gigs was playing at Rough Trade Records in Nottingham for a multiple union event to talk about young people's pay. Tour aside, I also had a great time at Strummer Jam, as well as discovering cool new venues like The Windsor Theatre in Birmingham and Tom O' The Wood in Warwick.

Away from the stage, I've finally taken the plunge and gone full time with music as my solo job. It's going alright so far, but I'm sure I'm about to feel the January pinch!

In 2018 I hope to have a real go at making full time musicianhood work, as well as finding a new venue for the songwriter's sessions and generally looking to book more cool gigs. I've got some cool ideas for stuff to do at home too, but they need some refining yet so I'll keep them close to my chest for now.

See you out there,

Sam.

That's not what the world needs.

It struck me that at the top of this blog's homepage I introduce the blog as my thoughts and musings on the music industry, then proceed to only ever post when I'm advertising something. I never rant. At least not on here. I rant in my songs about all sorts of stuff, but somehow putting it in writing on the Internet is too much. Well, that should change...

Recently I've been seeing more and more 'promoters' on social media advertising for what I'd call 'Z list celebrities' to play at their venues. One even put out a call to see if anyone knew anyone who 'used to be famous.'

Is this really what people want to see? That guy who was in a 90's band or the girl who got knocked out of the x factor a couple of weeks in? Am I missing something here?

I'm not saying there isn't a place for those guys. There totally is. But I can't help but feel that it's an easy option for promoters to get a couple people in a venue (probably out of morbid curiosity) rather than attempt to curate an actual cohesive line up of acts that fit together well and might draw a crowd when placed together. A line up greater than the sum of it's parts, so to speak. It's a greater risk and probably harder work to promote, but isn't that why you wanted to be a promoter in the first place? To showcase new music? To put on great shows? To be the guy who put on act X 'before they made it big?' I defy you to find me someone who got into the promoting game to try to give former pop stars and reality TV wannabes a paycheck.

That's not what the world needs.

Nan's Song on Spotify

A few years ago I wrote this song for the charity christmas album. For the uninitiated, it was an album I released once a year with the musicians who played at my various open mic nights and sold for charity. I think this is probably my favourite of all the Christmas songs I've written.

This year seemed like a good time to release it online for stream and download. Check it out if you get a few minutes :)

Tour write up

So yesterday I finished my November tour. I've really enjoyed the whole experience and I thought I would write some of my thoughts and stats about the tour down here, just in case you're interested.

In total I travelled over 800 miles during the three weeks I was on tour. I played 10 gigs (11 if you count a private party) and sold 35 copies of my new album. Though I've not costed it exactly, I'm pretty sure I about broke even, which is cool for a first outing, especially as most of the gigs were unpaid.

As always, some gigs were more enjoyable than others, though I think I enjoyed all of them in their own ways. Heading into the tour I was least optimistic about the two nights that were open mic rather than booked shows, but they actually turned out to be some of the best of the tour. It helps that both Worley's in Stourport and The Market Vaults in Stafford are great venues that really try hard to support original music, and also that they have both promised me booked gigs going forward. Worley's also stream all of their gigs and open mic acts on Facebook Live, which is something I see a lot but hadn't experienced before. The video of my set there has been watched over 1100 times since then, which is crazy but really cool. I think the live streaming thing is something I definitely need to look into more in the future.

It was great to get the opportunity to play with some old friends too, and the beauty of booking your own tour through your friends is that they can come and play too! Massive thanks to Tone Tanner, Huffy, Dan Hartland, Bleeding Hearts, Dave Busby and The Pale Aliens for sorting gigs for me and playing. It's always a pleasure to see all of you play and spend some time with you. Thanks also to Roots Music, The Musician's Union and Pistol Pete Wearn for booking gigs for me too. I promise I'll come back to The Market Vaults when you're actually there to host Pete!

So to round up, I think the whole thing was a success. Yes I drove a lot (though the podcast 'I Only Listen to The Mountain Goats' has helped with that a lot), I did get woefully lost in Nottingham - huge thanks to Ben Benson from the MU for rescuing me - and I did only just break even, but as an exercise is playing to new people further afield I think it was worthwhile. After all, there are now 35 more people that have listened (I hope) to my new album, and if they tell all their friends about it then they will soon be flying out the door!

I wait patiently by the post box ;)

See you soon (like in Leicester next weekend, for a tour never really ends does it?)

Sam.

November tour!

I'm delighted to announce that in just over a week's time I'll be heading out on tour! Check out the dates below, it would be great to see some friendly faces :)

 

I'm really looking forward to getting out there :)

1000 shows!

So I just updated the past gigs page of my website and it seems I have passed the 1000 show mark! Part of me sort of wishes that I'd made a bigger deal of it, but I'm not really one for ceremony and it's still a nice achievement to look back at now. Plus it turns out the 1000th show was Strummerjam, which is really cool as it's a gig I really enjoyed, I really like everything that the gig and the charity stand for and I kinda hope that Joe would approve of what I'm doing.

Here's a video from that gig;

'So I take a breath and steel myself for the next one thousand shows...' Frank Turner - The Road.

New t-shirts available!

Check out my new t-shirts, as modelled here by my beautiful wife Kayla,

Click the picture to order yours today!

I screen print all of my t-shirts myself (proper DIY!) so order now for a trully handmade piece of merchandise!

NEW ALBUM

It's finally here! After years of stopping, starting, re-starting and stalling, I finally launched my new album 'As I Live and Breathe' last night at The Crown Joules in Codsall. The gig was ace, the supports (Brains for Breakfast and David Young & The Midnight Chorus) were brilliant as always and the guys that supported me in the band played a blinder! I couldn't be more happy with the way the night went.

So now's your chance to get the album! If CDs are you thing, you can order one from my online store by clicking the link here, or you can get it on iTunes, Spotify, Google Play and Amazon Music (and probably more, who knows. Send me a message if you find it somewhere else!)

So that's it. It's been a long road, and now an even longer one begins. Good job I've got my walking boots on!

Another Express & Star article

The press pieces are coming in thick and fast now the album launch is almost upon us! Those great people at The Express & Star have done it again, this time doing an artist profile on me. You can read it by clicking the link to their website or just scrolling down!

https://www.expressandstar.com/entertainment/2017/07/21/unsigned-artist-sam-draisey-talks-about-forthcoming-midlands-gigs-/

'Some people are lucky enough to live and breathe what they love to do.

It is a hugely privileged position to be in, and Sam Draisey - who can count musician, gig and festival promoter, live sound and studio engineer, festival organiser and musician's union committee member among his job titles - is fully aware of that.

"It’s a great feeling knowing that I’m doing something I really love," he tells us. "I’ve worked in education for a few years but I’m leaving this summer to concentrate solely on music – I’m really excited about it.

"I like the diversity of having a number of strings to my bow when it comes to music, and that does seem to be the way the industry is going these days. It’s nice when other musicians come to me for advice on all sorts of things from recording and performing to distribution and copyright and I feel like I can help them."

Yes, some slave away for eight-plus hours a day at something which merely serves to pay the bills. But Sam, 29, from Wolverhampton, has other ideas for his life.

"I don’t aspire to be rich or famous, just to be able to live off what I do," he adds. "I get asked a lot if I would consider going on a TV talent show, but I don’t really think it would suit what I do, the type of music I make or the kind of person I am."

Sam is a busy man. Just playing music would give most of us enough to stay occupied. As a solo artist he has a new record he wants to show the world - releasing it officially on Sunday with a live showcase at Codsall's The Crown Joules.

"I class this as my third album, though it’s actually more like my fifth," he says.

He draws his inspiration from a range of artists as any singer/songwriter would. Notable influences include Frank Turner, Damien Rice, Jack Johnson, Cat Stevens, Paul Simon and the incomparable Johnny Cash, as well as other more traditional folk artists.

He also has extra cash flowing in through a successful wedding band called The Replicas for whom he plays bass.

But he has much, much more than just playing on his plate.

"I'm an elected member of the Midlands Regional Council of the Musician's Union, I run a songwriter's night at The Crown Joules every two weeks - one of which I'm hijacking for the album launch - and I've run recurring gigs all over the place over the years, including a monthly session at The Robin 2 for a while.

"I've gigged all over the region and supported acts like Ian Parker, Edgar Broughton, Bleeding Hearts and Under A Banner and played at various festivals all over the country."

He's also part of the committee that puts Codfest together every year and he is busy putting this year's event together for its usual September slot - though at the moment the exact date is a closely-guarded secret.

"Shhh, I’m not supposed to talk to the media about Codfest," he jokes, before adding: "I’m kidding, but we are very close to being at full capacity now without any real advertising, which I guess is something to be proud of.

"I’m on the committee that puts the festival together, as I have been since the start. My role is mainly to organise the music side of things, from booking the acts to managing the stages, helping to run the live sound and generally just being very busy about the whole event.

"You can find out more about this year’s festival – Codfest 8 – by liking their page on Facebook."

It has been a lifelong effort for Sam to get to where he is today, and he epitomises the hard work required to establish yourself in a crowded and often fickle environment where one minute's buzz-artist among listeners can be forgotten and one moment's enthusiasm from an artist can drain when met by obstacles.

"After singing all my childhood, I took up bass guitar at the age of 16, basically because the strings are further apart than on a six-string and I didn’t think I would be able to manage that," he jokes. "The first song I ever learned on bass was In Bloom by Nirvana, on Christmas Day 2004. By the evening I was jamming with my nextdoor neighbours Mick and Jack Edwards, who played guitar and drums respectively.

"In fact, Jack went on to play drums and congas for me on The List and Anthology albums," both of which are previous solo releases from Sam.

"A few months later I was asked if I wanted to join a newly forming band by an old friend of my dad. I learned a huge amount about playing live and working within a band from playing with Too Shrewd, and I still see it as an important part of my musical education. The band lasted for a few years before members started to move away."

To see that education put into practice, head along to The Crown Joules on Sunday to help Sam launch his new record. He will be selling CDs on the day, and it will go live on streaming sites such as iTunes and Spotify the next day.

The evening kicks off at 8.30pm, with free entry, and support will be provided by David Young & The Midnight Chorus and Brains For Breakfast.

For more information on all of Sam's projects, live dates and past and future releases, search for Sam Draisey on Facebook or visit www.samdraisey.com

Express & Star review

Another great review of the album, this time from The Express & Star. Read it here or at the link at the bottom;

' Wolverhampton's Sam Draisey hides a deceptively powerful voice inside his slender frame.

The 29-year-old exercises his vocal chords on his new record that will be a hit with singer/songwriter fans.

It's a mixture of softer folk and country vibes with a drop of gritty rock here and there. He sounds a tad like an angtsy James Blunt when aiming high and a young Brian Molko when sinking low. Quite a combination, eh?

The guitar plucking on display from the Unsigned page star in The Ticket is talented, and the soft anarchy that flows through some of his tracks is a joy to hear.

There is a kind of been there, done that feel to the tracks, too. It's a confidence and assured nature which breathes experience rather than cockiness and arrogance.

Take opener Roots. A forlorn melody accompany's Sam's voice for a track that oozes gloominess but stops short of heartbreak. It's a good sound.

Upbeat crescendos permeate Five Years Later, a protest song that inspires rather than scaremongers. This is the kind of track which can fall flat on an unsigned release, sincerity and seriousness can get lost among bad production values. But Sam and his band avoid the pitfalls with ease, he produced and mixed the tracks himself so he shows a keen musical ear in more ways than one here.

Anger does break through in Used To Be My Hero - a different side to the vocals than heard previously. His gentle approach to the music allows his voice to take centre stage. It helps get his message across without being hidden by a wall of sound.

Perhaps the highlight moniker falls on Turning You Down, a lovely slow burner that grizzles raw energy when the rock outro kicks in.

This is a fine example of doing things yourself and could herald the start of something big for Sam Draisey. Scott Matthews has done it, is it time for somebody else to break out?

Rating: 4/5

Sam Draisey will be releasing As I Live And Breathe with a launch show at The Crown Joules in Codsall on Sunday, starting at 8.30pm. He also performs at Wolverhampton's Hogs Head on Friday, July 28, before playing at Village Coffee in Codsall the next day at 2pm.'

https://www.expressandstar.com/entertainment/2017/07/19/album-review-sam-draisey---as-i-live-and-breathe/#zse8zFVfFpK6Ccfg.99

Band announcement

Thanks to these heroes, I can officially announce what you may have known for while...

My album launch on Sunday will be a FULL BAND SHOW! I'm so bloody excited about it too!

Check out the Facebook event page here;

https://www.facebook.com/events/1866784633583576/?ti=as

West Wulf review

I've had another album review come in, and it's another really good one! Read it here and I'll copy it below - https://westwulf.wordpress.com/2017/07/05/sam-draiseys-new-album-brings-protest-love-from-the-heart/

Sam Draisey’s new album brings protest & love from the heart

If you live in Wolverhampton or South Staffordshire and like music, chances are you’ve heard of – if not seen – Sam Draisey. Sam’s been about for a few years yet hasn’t quite reached the grand old age of thirty yet, which will come as shock on hearing new album, ‘As I Live and Breathe‘. Draisey sings with a real conviction, you feel his words come from the heart, from experience, at times from personal anger about politics, greed and the state of England. There are echoes of Frank Turner here, modern folk and protest. But this is far from just a protest album, there’s plenty of love and upbeat melody here to raise a smile – even the songs that deride modern society, apathy and negative attitude such as ‘Scarecrows‘ play along to a positive rhythm – that feeling of “hey, despite how it looks, life isn’t all bad so keep your chin up! Things will get better.”

A favourite of ours, ‘The Worst Lie Of All‘ tells a story that many from the working class will be familiar with, trying your best to get somewhere but having the world against you, of the wealthy turning a blind eye to the plight of those struggling to make ends meet and of people in power treating the rest of us as political pawns rather than thinking, feeling people.

‘Used To Be My Hero‘ bounds along at quite a pace, another familiar theme for listeners – musicians that had a powerful message and gained a fan-base but ended up middle of the road once they’d become successful – and comfortable, losing their edge and putting out music just to keep people happy and the money rolling in, never regaining that original passion. ‘I Won’t Ask Why‘ is a thoughtful ballad about unexpectedly falling in love and cherishing it now it’s here, come what may.

There’s a lot of experience behind ‘As I Live and Breathe’; as well as having several albums under his belt, Draisey is a regular live performer. if you haven’t seen him live, it really is worth tracking him down – a recent Facebook post on Sam Draisey Music tells us that he’s approaching his 1000th gig since he started out in 2005 (both solo and in bands such as The Replicas). This includes the Molineux, Codfest, various festivals and pub gigs such as the Newhampton Inn and The Crown, Codsall. Live, Sam holds an audience captive – we’re looking forward to hearing some of ‘As I Live and Breathe’ in person.

‘As I Live and Breathe’ is being released on 23 July at The Crown in Codsall, South Staffordshire. Entry is free and the gig starts at 20:30.

Album Launch!

I'm so VERY excited to announce that my new album 'As I Live and Breathe' is being launched on the 23rd of July, and I've got an awesome gig lined up to kick it all off! Supported by two of my favourite acts (and some of my favourite people!), I'll be playing at The Crown Joules in Codsall as part of my ongoing songwriter's nights there. There is even talk of me having a band with me, so it should be a very special night indeed!

I hope to see you there, but if you can't make it, the album will be available on many online retailers and streaming sites (iTunes, Spotify etc.) from the day afterwards. You will also be able to buy a CD copy directly from my website.