New Website!

It's been nearly two months since I posted a blog, so I thought it was about time that I got back to it! The places and times I would normally be writing a blog just haven't materialised lately, not that that is a good excuse. But anyway, here I am and here it is :)

I've been planning a 'new' website for a while now. I say new, I don't currently have a website dedicated to my own music, and so calling it new doesn't really feel right as it has nothing to replace. But it has involved elements of 'new', like coming up with a new logo for my music and myself. I wanted something that represented my status as a 'DIY, independent musician' and after a couple of different ideas were tried out, I settled on a simple text logo of my name looking like it was printed by an old fashioned DYMO label printer. I've gone for a cardboard background for the website too, to try and make it look even more 'home-made'

You can check out the beginnings of the website at www.samdraisey.com, though at the moment it's just a 'coming soon' page. I'll be launching the official website on Saturday the 30th of November, so make sure you check it out and let me know what you think :) I'll be doing loads of stuff in the build up to the day too hopefully, so keep your eyes peeled for that :)

In other news, I've had some good and not so good moments in music over the past two months. The 'Replicas September' was great fun and didn't feel like hard work at all, but then it never really does! I had a very poor turnout at The Robin 2 for The Sam Draisey Session this month (thanks to Matt Dooner for being the other person there!) and so will have to book acts again for next month's session if it's to carry on. I don't mind, it just leaves less space for people who just turn up on the night wanting to play (if you do want to play, best to get in touch with me and just let me know you are coming. Novembers's session is on the 26th). I also had another nightmare before last weeks open mic at Sunny Bank, and I can't apologise enough to anyone who made the journey out there to watch or play.

On a more positive note, I had another good outing at Molinuex Stadium busking for the Wolves fans and really good gigs at The Old Stag's Head in Penn and The Marches in Ludlow, as well as a good send off to this year's 'Festival of Local Music' at The Fox & Anchor in Coven. Here's to hoping I'm back booking there next year :)

Thanks for reading. I'll be posting more once the website is up and running, so make sure you check it out on the 30th of next month. Should be just in time for me to have a stupid moustache for Movember (donate to the great cause here)

Codfest 4

Codfest kind of deserves a blog post all to itself, so here goes...

For the uninitiated, Codfest is the yearly festival that I help to organise along with a small group of my family and friends. Naturally, the musical side of things falls to me, which includes booking the line up for two stages and running those stages both technically and organizationally as well as performing myself and doing other bits and bobs as and when I'm needed. I think its fair to say it's the longest working day of my year, but also one of the most enjoyable.

This year's Codfest was no exception. With over 600 people in attendance, the crowd was great the whole day, and the talent on show was superb. Its great to be able to showcase the talents of my friends (and also nice to sneak myself and my band onto a bill with such great musicians!) and just generally great to be involved in such a friendly and fun event. It really is life affirming!

I must say a HUGE thank you to my good friend Tim Douglas, who came down to run sound for us, and even bought a stupendously nice mixing desk for the main stage (I'll only drop the name of it if Behringer agree to give me a free one for the advertising, ha!). If you ever need a freelance sound engineer, I can't recommend him highly enough :)

The festival was superb, and it also kicked off a run of a Replicas gig every Saturday night throughout September, which I just know is going to be fun. I know I say it a lot, but I really do love my job!

Crowd-funding?

Since my last blog post I have played a number of decent gigs, with the most noticeable thing being that my CDs have continued to sell well. I played at The Old Stags Head in Penn a few weeks back to an audience of friends and family. It was really nice to see so many people I knew come out for one of my gigs. I know I play a lot so it's a big ask to get people to come out to multiple shows (this is one of the main reasons I don't play ticketed gigs at the moment), but it was really great to see everyone. From there I had a 'best of both worlds' gig the following day at a wedding in Ludlow, where I played solo during the wedding breakfast, then later on with The Replicas.

Last weekend I was back at Worcester Music Festival, once again playing for Lisa Nash of Sun & Stars Management at The Horn & Trumpet. The gig, and indeed the whole day/evening went really well. Considering there are 30 venues around the city all playing live music the venue was pretty full, and the crowd were really appreciative. I sold a good few CDs and make some more friends. I also met up with my good friend Andy 'Brains For Breakfast' Webster, and stayed for his set later that evening. Check him out, he is ace!

I had the quarterly magazine from the Musician's Union come through last week and the main article was on the pros on crowd-funding services like Pledge music and Kickstarter. After reading the article I posted on Facebook about it and got some interesting responses. It seems that the vast majority of success stories are artists who have been signed to a major label or subsidiary label in the past and either left or been dropped, and have subsequently started up profitable crowd-funding campaigns for new albums or tours. That's great for them, but it doesn't really help me and artists like me and doesn't really fit the bill that crowd-funding is being pushed as; funding for independent and start-up musicians. Because these guys have already had major label backing in the past, they have already had a large media machine tell everyone who they are and what they do and most importantly, they already have a relatively large and solid fanbase.

I'm not moaning, far from it. I'm glad that this idea can be used as a safety net to catch great acts who can't stay on a label contract for financial or creative reasons. But for an independent musician who has a modest fanbase, is it all just a little bit cheeky?

Another interesting point is that, with someone pledging a sizeable amount of money to your next album project, at what point are they not a creative investor? It could be argued that someone who invests their money in your recording process, rather than just buying your finished album because they like it deserves a say in how that album ends up looking and sounding. You could technically end up with thousands of producers, and you can't possibly please them all!

 

What do you think of crowd-funding? Drop me a comment or message on this post, or anywhere else you know how to get in touch, and let's have a chat about it.

Well travelled

I'm currently sitting behind the desk at The Robin 2 for the monthly session. The standard is very high tonight, which I am of course very pleased with.

I've covered some miles over the past couple of weeks, hence the title of this blog. It started off with a trip to Huttoft, near Skegness, for seaside fest. It was a good laugh, and nice to be able to walk on the beach an hour before my set!

Almost a week later (I know, a week off! Lazy, I hear you say) I travelled to Hull to play at a wedding. This was a bit of a landmark gig for me, as it's the first booking to come directly from my wedding musician website. It went really well too, though leaving the house at 9am and arriving back at 3am the next day is a long day by anyone's standards!

The third road trip was modest in comparison, as it was 'only' to Bakewell for one of my yearly highlights, Bakewell Music Festival. The gig was great, I had a really nice audience and sold a fair few CDs. Like I said in my last post, it's not about the money, but it is a decent barometer as to how much people enjoyed what I was doing.

My next gig is at The Old Stags Head in Penn. I was booked today via Twitter. I'm pretty sure it's the first gig I've ever booked with a tweet, and I've never been there before, so I've no idea what to expect. It's going to be an adventure though, so if you are around on Friday night, come down from 9 and check it out.

To Darlaston we ride.

I'm just home from visiting a new open mic night and I've realised it's been ages since I wrote a blog, so lets put that right!

Tonight was really good fun. The open mic was run by a good friend of mine, David Young (www.facebook.com/davidyoungmusic), who is an awesome musician and songwriter in his own right, but it seems he can also put on a really good night to boot. The audience was friendly, the acts were good and I sold some cds! It's always a nice feeling when I go off to an open mic and come back with more money than I spent getting there!

It's not all about the money of course, and I think I made a few friends and fans tonight too. Its great to get the chance to go to someone else's open mic, meet new people and show my support for others who enjoy playing live as much as I do. The abundance of Frank Turner t-shirts present was a nice surprise too. Who says that kids today have no music taste!

That's it from me for now. If I write too much I'll have nothing left for my next post! I'm travelling to Lincolnshire on Friday for Seaside Fest, so hopefully I'll be able to post something about that :)

See you soon,

Sam.

Mailing list and other updates

I'm having a go at posting from my phone. If this works and doesn't look terrible it could spell more posts for you in the future.

...could.

So I'm pushing my mailing list quite hard at the moment. Everything I have been taught and everything I have read about the music industry tells me this is what I should be doing, I just always thought previously that a facebook 'like' was just as good. But with facebook changing their policy so even if you like a page you don't get all of their updates (unless they pay for every post!) It's time I found something more reliable. I won't go into why I think this policy is harming small businesses. That's a rant for another time!

So anyway, I'm finally coming round to the idea that my mailing list is more important than I previously gave it credit for. Question is, why should you sign up?

Well, you know me (at least I think you do), and I don't expect something for nothing. So to make my mailing list more appealing, I'm going to give away as much free stuff as I can think of and create through it. That means free downloads, exclusive content, offers and competitions. Add that to the fact that its only a once a month thing (everyone hates spam, right?), it takes less that 60 seconds to sign up and the form looks cool, and I'm hoping you are convinced.

So, here is the link to get involved - http://samdraisey.us2.list-manage.com/subscribe?u=2a634ae6efc2a856ef15332b5&id=ebbf07137d

Make sure you get on it before the end of this month so you don't miss the first installment :)

In other news, I've confirmed some festivals over the past few weeks. I'll be heading back to the wonderful Bakewell festival for another year, and also have slots booked in Appleby, Birchover, Hottoft and Worcester through the summer. And then there is Codfest, of course :)

I've also got some cool solo gigs booked AND I might even be able to convince The Replicas to do a few more public viewings. I'll save all those announcements for the mailing list though.

Finally, I took my first deposit for a wedding package today. I'm really looking forward to it, playing at peoples weddings is really special. I might even do a cheeky video of the new song I'm playing for their first dance, but again, you'll have to sign up to the mailing list to find out more!

Until next time.

Sam.

Digital Distribution

I've been thinking recently about what to do regarding my next album's release online.

In the past I've always stated that releasing my albums on iTunes and Spotify were primarily for marketing purposes. I don't expect to make much money from it, not even enough to keep it up online really (it costs around £30 a year, which is ok for the first year, but after an initial burst the sales tend to fall away), but I've always said that as two of the biggest music services in the world, it looks good to have them up on there. It's free advertising.

Isn't it?

I've been toying with a few ideas to change it around. Should I release my album via Bandcamp, a service I have heard nothing but good reports about, and one that doesn't charge a fee? Or maybe I should just have them online on somewhere like SoundCloud, giving the downloads away for free or in exchange for an email address. Or should I even go whole hog and release them as a torrent? It wouldn't be illegal, after all, and I wouldn't be the first to do it.

Maybe it's time for a fresh start with iTunes instead. 'The List' has been available online now for almost 3 years. Should I take down my old albums and start again with the new one? Just stockpiling them on iTunes is not only expensive (it's £30 per album per year), but it could also leave potential new listeners with a 'don't even know where to start' mentality. Maybe I could implement one of the other strategies above for the previous two albums and have my next album up on the major platforms.

As always, comments are more than welcomed on this :)

See you soon,

Sam.