Since then I've been recording a lot of my gigs both solo and with the bands. I thought I'd collate a few of them here for you to see.
The musings, anecdotes, stories and plans of independent singer/songwriter Sam Draisey as he tries to make his own way through the murky waters of the music industry. Find out more at www.samdraisey.com
Monday, 16 March 2015
A GoPro for Christmas (and the re-emergence of my YouTube account).
Since then I've been recording a lot of my gigs both solo and with the bands. I thought I'd collate a few of them here for you to see.
Sunday, 18 January 2015
New gigs!
Friday, 9 January 2015
2014 in review
With that in mind, here is a look back at what I got up to in 2014...
JanuaryNumber of gigs - 6
January is often something of a lean month when it comes to gigging. After a hectic December, that can also often be welcomed. 2014's edition did see me play at The Grain Store in Wolverhampton for the first time, a cool new little venue being promoted by an old school friend, Andy Turner. I would go on to host one of my highlights of 2014 there with him later in the year, but you'll have to wait for that!
February Number of gigs - 6
February saw the first gig of the year for The Replicas and also my first ever show at The Prince Albert in Wolverhampton. It was really good fun actually, swapping between bands outside and acoustic acts inside in a 'Jools Holland' style. It was being hosted by Born Music, a sort of extension of the band Shatter Effect, who are good friends and good people. I'm not sure if there is anything going on there now, but I'd be interested in playing again if there is.
Number of gigs - 13
Monday is my birthday month and it just so happened that my 26th outing landed on open mic night at The Rainbow in Coven. Much fun was had by all! I also organised the music for my next door neighbours **th birthday party (I won't write how old she is, I'm a gentleman) in the form of a festival in her garden. This involved a couple of performances on my part, including a rendition of Macklemore's 'Thrift Shop' that I'm only partly ashamed of. I think there is a video around somewhere...
AprilNumber of gigs - 12
April was a great month. I co-promoted and played on a show at The Grain Store headlined by Oxygen Theif. It all started when my friend Hannah tweeted him asking him to check out my music after he appealed on Twitter for a support act for his Leicester show (is this starting to sound like a Grandpa Simpson story?). Instead of playing with him in Leicester, I ended up putting on a gig for him to play in Wolverhampton! It was great fun and really great experience for me as it was my first time booking and promoting a show for a signed artist.
A few days later I also played 3 shows in one day, starting out with some busking at Molinuex Stadium followed by a stop at The Golden Lion before finishing at Hail to the Ale. It was exhausting but really good fun!
MayNumber of gigs - 10
In amongst the gigs this month I formed a new band. Asked to help out a band called The Times Flies after their singer/guitarist left, I eventually ended up starting my own 3 piece covers band with two of their former members (they folded, I didn't steal anyone). That band is now The Jukebox Dimes. You can find us on Facebook here.
June
Number of gigs - 14
June was great! I played two festivals, including a new one for me in Evesham (Worcester) called Dubs in the Middle. Also, The Replicas returned to The River Rooms and I returned to a place where it sort of all started for me, The Shrewsbury Arms in Albrighton. Almost 10 years ago I practiced there in the first band I ever gigged in, Too Shrewd. In honour of that, and of the memory of our late guitarist (and still to this day one of the best I've ever played with) Mr Tony White, I played a somewhat emotional version of Pink Floyd's 'Wish You Were Here' as he was a huge fan of the band. It was a really special moment for me and one I'll remember for a long time to come.
Also in June I took a young lad named Jack Curley on work experience with me for a week. It was a bit strange for both of us but really quite cool. I taught him the ropes of performing, recording, live sound and promoting in the week he was with me.
July
Number of gigs - 6
July was a bit lean, but I was on holiday for a fair chunk of it. Not one to miss a trick, I played a gig in a restaurant while I was in Turkey. It seems to be a regular thing when we go on holiday there now, but I don't really mind. It's a new audience I guess!
I also made my first appearance at Brewood Music Festival. It was a truly brilliant day and another highlight of the year.
AugustNumber of gigs - 12
August was festival month. I love festivals, and if you count a pub car park all dayer as a festival I played 4 consecutive weekends of them in August. The newbie to the list was Llangollen's 'Famous Faery Fest', a great little festival filled with music, stories and crafty stuff (which certainly kept Mrs Draisey happy!)
SeptemberNumber of gigs - 12
When it comes to gigs, September is all about Codfest. This year's was no exception. The line up (if I do say so myself) was awesome across both stages and I had a blast. I mean I worked constantly from about 8 in the morning until gone midnight, but it was amazing! Every year I wonder how we are going to better it, and every year somehow it gets better!
Also in September I got asked last minute to play at Shrewsbury Fields Forever, a great festival I'd love to go back to this year if the offer is there (hint hint). It was another booking through Andy Turner, who seems to have featured quite heavily on this year's highlight reel.
I know I've written the obligatory two paragraphs about September already, but I couldn't finish the month without writing about probably the coolest venue I played at last year. When I put the postcode in and me and Mrs D. headed out to Birmingham to the The Songwriters Cafe we weren't sure what to expect. I'll admit that we were a little apprehensive when the postcode took us to someone's house, but all those doubts were gone as soon as we were guided around the back by the wonderful Paul Murphy. The venue is in his back garden and no photograph of the tree house/adventure playground style structure could ever do it justice. It's simply amazing. The gig was streamed around the world and they were getting comments online from as far away as Canada and Angola! Even more amazing was that also on the bill was a guy named Dan Hartland, whom I supported on my first ever live solo gig at The Varsity way back when. I think The Songwriter's Cafe might just squeeze in as my favourite gig of 2014. Just.
October
Number of gigs - 4
Wow, October was quiet. I guess I must have subconciously needed a rest after the antics of August and September.
NovemberNumber of gigs - 11
November started with me playing a wedding, which is always an honour. It's even more of an honour when I get to play someone's first dance. Whenever I'm asked to do a first dance I always video myself playing it and send it to the couple getting married for their approval. That way if it's not what they are looking for they can decide to have the original played instead and I don't end up ruining anyone's big moment! This time I played a version of 'I'm Gonna Be (500 Miles)' that was adapted from a version by an american band called Sleeping at Last. I think my version in the end sort of linked that one and The Proclaimers' original, but they seemed to like it none the less.
November also saw the debut of The Jukebox Dimes. The first gig was beset with technical problems, but we managed to pull it around and put on a good show. I also played at the EP launch of one of my good friends Brains For Breakfast. The EP is great, so get your copy from him now!
DecemberNumber of gigs - 8
Compared to the year before December was almost tame, though I did manage to squeeze in a 3 day run of gigs the weekend before Christmas (in 3 different acts!) and put together another Charity Christmas album. I also booked a Christmas party gig at The Crown in Codsall, which was another stepping stone for me in my quest to become a 'proper' promoter.
Total number of gigs in 2014 - 114
All in all that's not a bad year of gigging. It's over 2 a week.
I'm not going to single out any one gig as the best. After all, I didn't mention all 114 gigs above, so these are basically highlights. There are some obvious ones that stick in my mind as I write this, but I'm sure you can figure those out for yourself :)
What was your favourite gig of 2014? Where would you like to see me play in 2015? Answers in all the usual places.
Sam.
Tuesday, 16 December 2014
Charity Christmas Album 2014
The Charity Christmas Album is now out and available from my online store. Get yours now for just £5. This year's chosen charity is the British Heart Foundation. I'm sure you will agree it's a hugely worthy cause.
There are 6 tracks on the album this year. Mine is a duet with my wife Kayla and I think it's the first time she has sung on a record (it won't be the last; trust me!). There are also great songs from Christmas Album new-boys Brains For Breakfast and Josh Briggs. Those of you who were at the Oxygen Thief gig earlier in the year will remember Josh I'm sure. He blew us all away that night and his Christmas song is a lovely little reminder of everything we love about Christmas. 'Brains' is a long-time friend of mine whom I have gigged with loads and I had great fun recording his track with him. It's also ace, by the way.
Alongside the new guys are Christmas Album stalwarts Natch and Dom Malin, but excelling once again within their own individual styles, showing that, as always, the Christmas Album is a hugely diverse release and always has something for everyone. I love this about the albums, that not only do they catalogue some of the artists I've worked with during the year, but also show how diverse they are and how Christmas can mean so many different things to so many different people.
We also have a re-released track on the album from Bryony Williams. After debuting on last years Christmas Album with her song 'Christmas Time' (now entitled 'Don't Feel Like You're On Your Own') she went away and re-recorded it, adding extra instruments and depth to the sound. Why don't you compare the two and let me (or her) know which one you like the best.
Anyways, my new show is at The Fox & Anchor on Sunday. If you don't want to buy one online, come and get a Christmas Album from me then. It starts at 7:30.
Thursday, 11 December 2014
Christmas Party!
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| You might have seen these around the village. |
Tuesday, 28 October 2014
Exposure: another dirty word?
It's very tongue-in-cheek, as everything for their website is, but it raises a valid point about playing, and asking others to play for this myth of 'exposure'.
'Exposure' is word that plagues hard working musicians everywhere. I see gig adverts all the time that all say the same thing; 'we can't pay you, but you will get exposure to a new audience'. That's all well and good if you know there are going to be a lot of people there who have never seen you before. I played at half time at a Wolves match last season for exposure to over 26,000 people (if you measure 'exposure' purely in terms of Facebook 'likes', I still only gained about 15 new 'likes' directly from that gig). I've also taken support gigs for more established artists who play similar styles to me because playing to an audience that enjoy similar music to mine is good 'exposure' for me and my music. These gigs were also great fun and in the case of the latter I've often sold more than my fair share of merchandise to cover the costs.
My main problem with this comes from the idea that all gigs are like this, that all gigs have masses of people attending who are all fans of the sort of thing you are doing and want to hear music that is new to them. We all know that this isn't the case and that actually most of the time you end up playing to an empty room and getting evil looks from the promoter for not bringing anyone with you. 'Why would I need to to re-expose myself to people who are already my fans?' I hear you ask. 'Surely if I was just going to play to my friends and fans, I would just put on my own show'. Well that's because in reality there is no 'exposure' on offer. It's just a buzzword used to mean 'the venue/promoter is doing this on the cheap and lazy and so can't/won't pay you'. I've ranted on this blog about promoters like this in the past so won't go into it again, but if you fancy a chat about it you can find the original post here.
I don't want to fall into the trap of this becoming another 'poor, down-trodden musicians' post where I sanctimoniously go on and on about how musicians don't get paid enough and it's all so terrible. I put on open mic nights myself where other musicians don't get paid to play. I get both professionals and people who just do it for the love of it play at them and they do it for a variety of reasons. I guess what I'm really getting at is that real, genuine exposure to an engaged audience of people who like the style of music you play, regardless of how big that audience is, is vital to musicians at almost all levels. My issue is that that, in the majority of cases, this is simply not what is on offer.
If you want to see me 'exposing myself' (in a musical way...) I'm hosting open mic at The Rainbow in Coven tomorrow night (Wednesday 29th October) from 8:30. See you there :)
Thursday, 16 October 2014
Update
Ok, so we've established I'm rubbish at updating my blog...
I'm currently sat at a gig in Wednesbury (I'm posting in between acts, I'm not a prick!) and I thought I would write a quick update about what I've been up to recently.
I've decided I'm not playing live enough. At least not as much as I used to. So for the second Thursday in a row I'm at SOMEONE ELSE'S open mic! This time it's The Roost in Wednesbury hosted by David Young (check him and his band, The Midnight Chorus out). Needless to say I'm really enjoying playing to new people and seeing new and old friends play.
Any open mic nights going on near you? Let me know and I'll come down one of the nights :)




